Loleatta Holloway

She's a very weird creature. In the novel I have her coming to the library, and she's got her eyes sewn shut. But we were both afraid that if you didn't do it just right, it was going to be hilarious. So we reversed it; now she's the most beautiful woman in the world (Pam Grier). Occasionally she'll turn suddenly, and the kids will see what she is underneath: this ugly, ugly creature. I think it works better that way. In the book, Charles Holloway has a sorrowful attitude toward the inevitabilty of youth slipping away. Was there some way to express that in the film other than with rueful looks? Some way to retain that internal monologue that has no action connected with it? There is. It's not all there, but we've strengthened it, I believe. At a given time in his life, when his son was young, Charles Holloway (Jason Robards) missed a chance to save him from drowning; and the man across the street, Mr. Nightshade, saved him instead. So, you then have this as a recurring chord. At the very end, it's up to Holloway, then, to save his son (Vidal I ...»