Fast Women

As movie audiences of the forties and fifties believed Lewton's Central Park set, so radio listeners believed what the announcers, the actors, and the soundmen told them. The visual set was there, but it was plastic, bound by very few hard and fast expectations. When you made the monster in your mind, there was no zipper running down its back; it was a perfect monster. Audiences of today listening to old tapes don't accept the Make-Believe Ballroom any more than I am able to accept Lewton's papier-mache rock wall; we are simply hearing a 1940s deejay playing records in a studio. But to audiences of a different day, the MakeBelieve Ballroom was more real than make-believe; you could imagine the men in their tuxedos, the women in their gowns and smooth elbowlength gloves, the flaring wall sconces, and Tommy Dorsey, resplendent in white dinner jacket, conducting. Or in the case of the infamous Orson Welles broadcast of The War of the Worlds, a Mercury Theater Halloween presentation (and that was a trick-or-treat millions of Americans never forgot), you could broaden that country of the imagination enough to send people screaming into the streets ...»